Six blurred backdrops off the FLUX lane — dusk backyard for the grill,
copper-hung splashback for the pan, steaming stockpot shelf for the
poach, butcher's tile for the steak board, pantry shelves for the eggs,
steel cold room for the fridge — and a lesson in frustums for their
integration. A far wall plane (the kitchen splashback trick) is
invisible to these stations' pitched-down cameras: at 45 degrees of
downward tilt nothing above the horizontal ever enters the frame. So
the art ships as the scene BACKGROUND instead — screen-space, swapped
in on enter() and restored on exit() — and the oversized 24x12 bench
slabs that covered every pixel shrank to real bench size so the room
can peek around them. The stations went from furniture in fog to
furniture in a kitchen.
Mechanics untouched by the slab diet — the drag planes are infinite
THREE.Planes, not the meshes: grill/pan/fridge/steak drivers all pass.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
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