ROOT now reads the save it has been carrying the whole game. The receipt names your philes, your expiries, the baud you negotiated and lived with, whether somebody vouched for you, whether you hung up without saying goodbye. It had all of that and used none of it. And the FidoNet message comes back. You wrote it at hop 35 and handed it to the 04:00 mail run and it said it would reach the rest of the world by Tuesday. Twenty-nine hops later it is Tuesday, and somebody replied, because somebody always did. The loop now keeps your philes and resets everything else. TIME_WAIT is a room instead of six chairs. Sixteen seated, one or two lines each, most of it not about you. One of them ages out mid-sentence and nobody in the room looks up. FIN will not tell you about the door until you have listened to three people who are not him. Stay a full two-minute lap of the clock and the room notices. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
||
|---|---|---|
| .claude | ||
| src | ||
| vendor | ||
| .gitignore | ||
| DESIGN.md | ||
| index.html | ||
| README.md | ||
| serve.py | ||
| STAGES.md | ||
HANDSHAKE
a love story in 64 hops
You are SYN. You want ACK. Root is the only one who can give it to you.
Design doc: DESIGN.md.
Run it
python3 /Users/johnking/Documents/handshake/serve.py 8123
Then open http://localhost:8123/. Headphones — every frequency in this is the real
frequency and half the mechanics are inaudible without them.
serve.py is http.server plus Cache-Control: no-store, because ES modules cache
hard and it makes every edit look like it did nothing.
Controls
WASD |
move |
SPACE |
jump / hold 2600 Hz |
| mouse | look (click to capture; dragging works too) |
E |
use |
M |
traceroute — the level select, and where you drop cargo |
P |
philes — read what you've picked up |
` |
hop select (dev) |
ESC |
release the mouse |
It saves. Every hop completes a handshake with the world and writes to
localStorage; the boot screen offers R — RESUME when there's something to resume.
What's here
Thirteen playable hops, each a different genre, one renderer.
| id | hop | what it is |
|---|---|---|
coldboot |
1 | FP tutorial in a 512-slot NIC ring buffer, then the DMA rips you out |
stack |
2–8 | 7-floor third-person descent. NX floors, rate gates, canaries, ASLR reshuffles on death, stateful FIREWALL boss |
timewait |
9 | walking sim. beige room, 50 Hz hum, half-open connections in plastic chairs, FIN by the door |
war |
10–16 | EFnet twin-stick. netsplit riding, ops crowns, Sub7 body-snatch |
smash |
17–20 | 2D side-scroll char buf[64]. canary, return address, NOP sled, shellcode |
worm |
21–28 | Morris worm RTS with the 1-in-7 reinfection locked on. you lose by winning |
cuckoo |
29–34 | LBL 1986 terminal. connection time is visibility. you get caught |
board |
35–44 | the BBS. busy signal, ANSI painting at live baud, ratios, NUP gate, ANSI bomb, the sysop watching you type, FidoNet, playable LORD |
handshake |
45–50 | five-boss rhythm arena. dial tone → DTMF → ANSam → V.8bis → carrier |
copper |
51–58 | FP through duct, load coils, a Strowger cathedral, a lineman's handset |
bluebox |
59–63 | playable 13-button blue box. 2600, KP/MF/ST, tandem stacking, then SS7 |
climb |
63→1 | on-rails reverse ascent. Spectre split-timeline, Rowhammer, Log4Shell |
root |
64 | the room is empty. then the ACK comes back |
The three load-bearing ideas
TTL is the health bar and it only goes down. 64 hops, no healing, ever. Levels aren't hard, they're expensive.
Bandwidth is resolution — src/link.js. One render target and one
shader. Your baud rate sets the target height; at 1200 and below the scene renders as
ASCII glyphs. HS.link.setBaud(0..6) in the console to see it. The V.8bis fight sets
this for real.
Every header you drop is a piece of clothing — makeSyn() in
src/kit.js. Seven wireframe shells, one per OSI layer, shed as you
descend.
MTU
Files taken off the BBS are lore, and lore is paid for in distance. Two is free; after that you don't fit down the next hop in one piece and every hop costs a TTL per extra fragment. You can put things down again from the traceroute map. That's the whole economy: everything worth reading costs you some of the distance you have left.
Audio
src/audio.js — every tone is oscillators, nothing is sampled, and
every frequency is the real one: 350+440 dial tone, the DTMF matrix, R1 MF pairs with
real 100 ms KP / 60 ms digit timing, 2600 Hz, ANSam at 2100 Hz reversing phase every
450 ms, Bell 103 FSK. About 300 lines and zero megabytes.
Layout
index.html shell, all CSS, importmap
serve.py dev server, no-store
src/main.js router, TTL, traceroute map, the loop
src/link.js bandwidth → resolution. the post shader.
src/audio.js every tone in the game
src/term.js 80x25 cell terminal, pipe colours, CP437 blocks as geometry
src/kit.js body/collision, camera rigs, SYN, labels, seeded rng
src/input.js keys, pointer lock, the ANSI bomb's remap table
src/hud.js status line, subtitles, title cards, NO CARRIER
src/levels/*.js one file per hop
vendor/ three.js r17x, vendored
Each level exports { id, hop, title, via, baud, mount(ctx), update(dt,t,ctx), unmount(ctx) }.
ctx hands it a fresh scene, camera and collision world, plus say/card/hint/phile/ spendTTL/setBaud/next. Genre switches are just different camera + controller modules
over one renderer — that's the whole trick.
Dev handles
HS on window: HS.goto(id), HS.link.setBaud(n), HS.game, HS.philes,
HS.run(n) — drives n frames by hand, because requestAnimationFrame is throttled
to zero in a hidden tab and that makes the game look broken when it's only asleep.
Skipped
- Multiplayer (
CHECKSUM) — the Journey-style anonymous pass-by. Needs a server; add when there's something to connect to. - Playing both fragments — fragmenting costs TTL, it doesn't split you into two packets you alternate between. Add when a level has a corridor narrow enough to need it.
- The 200 philes — 40 written in
src/philes.js, all readable withP. Adding the next 160 is a writing job, not a code job: put the text in that file, callctx.phile('id')wherever it should be found. - Trade Wars — the second door game. LORD is real and playable; TW2002 is "closed for maintenance since 1994", which is both a joke and true.
- Levels are one hop's worth of content each, not the full 5–20 minutes the design doc describes. The genres, mechanics and set pieces are all in — the duration isn't.