kind: image

model: Nano Banana 2

title: bucket hat

prompt: Worn olive-drab cotton-canvas bucket hat, brim flared and crown softly slumped from years of second-hand wear, shown in three-quarter view with the camera slightly above eye level so the crown, the front of the brim and one full side of the brim all read at once. Sun-bleached matte twill, chalky and completely non-reflective, faintly dusty, gently scuffed along the brim fold. All stitching rendered as flat printed surface texture only: no loose threads, no frayed strands standing off the fabric, no eyelets, no raised trim, no piping. Completely unbranded and blank: no text, no lettering, no numbers, no logo, no tag, no woven label, no embroidery. One solid chunky closed form with no drawstring, no chin cord, no toggle, no strap, no lace, no wire and no thin geometry anywhere; the hat sits right way up, crown uppermost, interior never visible. Even soft diffuse studio light wrapping in from every direction, no hard shadow, no rim light, no specular highlight, no sheen, no cast shadow anywhere. Pure seamless mid-light-grey backdrop filling the whole frame edge to edge, no ground plane, no surface, no horizon, no table, no hands, no person, nothing else in the picture at all. The hat floats centred and whole with generous empty grey margin on every side, the brim never touching a frame edge. 1:1

slot: head


kind: image

model: Nano Banana 2

title: striped beanie

prompt: Ribbed acrylic knit beanie in maroon and mustard horizontal bands, a second-hand early-nineties Australian op-shop hat, its dome self-supporting and stretched a little out of shape from years of wear. Nothing else exists in the picture: no head, no mannequin, no wig form, no hand, no stand, no plate, no second object of any kind. Three-quarter angle with the camera a little above, so the crown of the dome and one side of the thick turned-up cuff both read clearly. Chunky solid knitted volume throughout, every edge thick and closed, thoroughly matte wool-acrylic, pilled, faintly grubby, dye faded unevenly. No pom-pom, no bobble, no tassel, no snagged loop, no loose thread, no dangling strand, no fringe, no thin geometry anywhere. Unbranded, blank knit, no writing, no lettering, no woven tag, no motif, no logo. Soft even diffuse shadowless studio light from every direction, no hard shadow, no rim light, no specular highlight, no sheen. Plain seamless light grey studio sweep, empty, no floor line, no horizon, no surface, no cast shadow beneath. The whole beanie floats centred with wide empty margin on all four sides, uncropped, clear of every frame edge, the maroon and mustard stripes legible from crown to cuff. 1:1

slot: head


kind: image

model: Nano Banana 2

title: felt bush hat

prompt: Battered fawn drover's felt hat, wide brim turned down evenly all the way round, alone. One deep-creased crown, collapsed inward from decades of wear. The brim is a solid slab of dense pressed felt ending in a blunt, rounded, rolled edge as thick as a finger, never tapering to a papery lip anywhere along its run. Around the base of the crown sits one plain flat wide strip of matte cloth, moulded flush against the felt with its ends tucked under: no bow, no ribbon tail, no cord, no chin strap, no lace, no feather, no buckle, no eyelet, no pin, no badge, nothing narrow protruding from the form. The hat is unbranded and the band is blank — no lettering, no maker's stamp, no insignia, no printing of any kind. Camera set at a three-quarter angle and lifted only slightly above the crown, so that the front face of the hat, one full side of the brim, and the dented top all read together in the same view. Surface is entirely matte throughout: chalky, dust-dulled, sun-faded fawn felt with pale rubbed patches, zero sheen, zero varnish, zero gloss, no polish anywhere. Lighting is broad, soft, diffuse and even from every direction — no hard shadow, no rim light, no shadow cast under the brim. The background is an empty seamless pale grey studio sweep with no floor line, no surface, no room, no context. The hat sits centred with generous empty margin on all four sides, fully uncropped, never touching any frame edge. Nothing else exists in the picture: no hand, no head, no wearer, no mannequin, no stand, no second hat — only this one lone dust-dulled felt crown and its thick rolled brim, floating in grey. 1:1

slot: head


kind: image

model: Nano Banana 2

title: cordless dj headphones

prompt: A single pair of chunky 1990s DJ monitor headphones, moulded as one sealed solid form with no cord: each earcup base is a smooth closed dome, and the headband meets the cups through thick fused blocks rather than any yoke, fork, slider or pin. Broad padded headband about as wide as a thumb, arcing over two fat oval closed-back earcups with deep intact rounded foam rings. Materials all dead matte: dulled charcoal plastic, soft grey pleather on the band, dark compressed foam on the pads, scuffed and second-hand but unbroken, with no gloss, no chrome, no mirrored parts and nothing clear or transparent. Every surface blank and unmarked, smooth where a badge would be. Shown three-quarter, camera a little above the headband, so the outer shell of the near cup, the full curve of the band, and part of the far cup all read clearly. Even soft diffuse studio light wrapping from every side, no hard shadow, no rim light, no cast or contact shadow. Isolated on an empty seamless pale grey field, no floor, no surface, no shelf, no hands, nothing held, one item only, centred with generous margin so no edge touches the frame. Foam rings intact and rounded, headband arc thick as a thumb, nothing else in frame. 1:1

slot: head


kind: image

model: Nano Banana 2

title: wraparound sunnies

prompt: Chunky moulded charcoal wraparound sunglasses, second-hand and dulled, formed as a single fused piece of thick matte plastic. The frame is deliberately fat and sturdy: the temple arms are swept fully open and straight back, each arm as thick as a finger, blending seamlessly into the brow of the frame with no hinge, no screw, no nose pad, no cord, no lanyard, no wire core. The lenses are opaque matte charcoal panels, solid and completely non-transparent, non-reflective, non-mirrored, reading as flat dark plastic rather than glass, with no gloss and no glint. All surfaces are scuffed, faintly scratched and chalky, the plastic gone slightly grey with age. The frame is unbranded and blank: no printing, no lettering, no brand mark, no label anywhere on it. The whole pair sits fully inside the frame with generous empty margin on every side, nothing cropped, nothing touching the frame edge. Three-quarter view from slightly above eye level, so the face of the lenses and the full length of one temple arm are both clearly readable at once. Even, soft, diffuse studio lighting from all sides, no hard shadow, no cast shadow, no rim light, no specular sparkle. Plain seamless light grey studio sweep, no floor line, no table, no surface, no scene — nothing else present anywhere in the frame except these worn matte wraparound sunnies. 1:1

slot: head


kind: image

model: Nano Banana 2

title: corduroy cap

prompt: Chocolate-brown corduroy cap, nineties second-hand style, with a thick stiff curved bill and a rounded six-panel crown. A fabric-covered button sits at the apex, stitched seams run between the panels, and the wale of the cord is flattened and shallow, surface texture rather than deep relief. The back is a solid one-piece closed fabric panel, unbroken and continuous all the way round the headband, so the whole cap reads as a single chunky closed fabric form. Deeply matte throughout, dusty, sweat-shadowed above the brow, one panel faded paler by the sun than the rest. Blank fabric everywhere: unbranded, no embroidery, no lettering, no patch, no tag. Photographed three-quarter from slightly above eye level, turned so the front face, one side panel and the upper surface of the bill are all visible together. Soft even diffuse studio light wrapping equally from every direction, no cast shadow, no highlight, no sheen, no gloss. Isolated against a plain seamless light grey studio sweep, empty and featureless, no floor, no surface, no context. Nothing in frame but the corduroy cap itself, wide margin on all four sides. 1:1

slot: head


kind: image

model: Nano Banana 2

title: cassette walkman

prompt: Second-hand 1990s pocket cassette player, a solid grey plastic brick photographed entirely on its own with nothing else anywhere in the frame. Chunky rounded rectangular body, thick deeply recessed rubbery transport buttons moulded in the same matte grey; the cassette door is a solid opaque matte panel sitting flush with the body, not a clear window. Cordless: no headphones, no cord, no cable. The belt clip is removed, the spring clip is removed, no wrist strap, no lanyard loop, no antenna, no volume thumbwheel, no exposed hinge lip, no thin or protruding part anywhere on the object. Unbranded and completely unmarked: no text, no logos, no lettering, no numbers, no sticker, no embossed play or rewind symbols, no moulded labelling of any kind. Matte materials only, worn plastic with fine scratches and faint yellowing at the corners, buttons matte rubber rather than metal; no chrome, no polished metal, no brushed silver trim, no gloss, no glass, no transparency, no reflections. Three-quarter view from slightly above eye level so the front face and one side face are both fully visible. Even, soft, wraparound diffuse studio light from every direction, no hard shadow, no rim light, no cast shadow, no shadow on any surface. A plain seamless light grey studio sweep fills the frame corner to corner with no floor line, no table, no ground plane and no scene; the player floats in that empty grey with generous margin on all sides, never cropped, never touching an edge. Flat, evenly exposed product reference photograph of this single cassette brick and nothing more. 1:1


kind: image

model: Nano Banana 2

title: vhs tape

prompt: A single second-hand analogue home video cassette, alone in an otherwise empty frame, with no case, no cardboard sleeve, no slipcase, no box, no hand, no table and no second object of any kind. One solid chunky rectangular moulded plastic shell, thick heavy walls, dark charcoal near-black body. The front flap is moulded permanently shut and continuous with the shell, so there are no tape spools, no hinge pins, no release lever, no snap-off write-protect tab, no clear viewing window and no thin, wiry or filigree parts anywhere; the top face is solid opaque plastic where a window would otherwise be. A blank unbranded cream label panel lies flush with the shell, fully adhered, every corner flat and sealed, bearing no text, no writing, no numbers, no logos, no brand names, and the shell carries no moulded or embossed lettering and no arrows. Every surface is matte: chalky worn plastic, fine scuffs, dust bloom and one sun-faded patch across the body, with no gloss, no chrome, no polished metal, no reflection and no transparency. Three-quarter view from slightly above eye level, so the broad front face and one narrow side face both read clearly. Soft even diffuse all-round studio light, no hard shadow, no cast shadow, no contact shadow, no rim light, no highlight streak, no dramatic lighting. A seamless pale grey studio sweep fills the whole background, with no floor line, no surface, no horizon and no environment. The cassette floats centred in the frame with generous margin on all four sides, whole, never cropped, never touching any border. Nothing else exists in this picture except the one worn charcoal cassette shell. 1:1


kind: image

model: Nano Banana 2

title: thermos flask

prompt: Sky-blue thermos flask from a 1990s op shop, dented and chalky-faded, the only object in an otherwise empty frame. A chunky graspable barrel: one unbroken cylinder with fat rounded shoulders, topped by a deep cup-shaped lid seated flush and formed as part of the same solid, so the entire silhouette is one continuous closed shape. Smooth-sided and sealed: no handle, no bail, no chain, no strap, no cord, no spout, no clip, no protrusions of any kind. Unbranded and blank: no text, no lettering, no numbers, no logo, no decal, no label. The paint is dead matte and chalky, sun-bleached, scuffed and knocked about, small chips exposing a dull unreflective grey undercoat; fully opaque, zero gloss, zero specular highlight, no chrome, no polished metal, no glass, nothing transparent. Three-quarter view from slightly above eye level so the flat top of the cup lid, the front face and one curved side of the barrel all read at once. Even, soft, wrapped diffuse studio light from every direction, no cast shadow, no hard shadow edge, no rim light. Behind it a plain seamless light-grey studio sweep, uniform and empty: no floor line, no ground shadow, no surface, no room, no other props, no hands or people. The flask hovers centred and whole, generous margin on all four sides, uncropped, never touching an edge. A lone chalky-blue thermos, nothing else in the picture. 1:1


kind: image

model: Nano Banana 2

title: price label applicator

prompt: Solid one-piece handheld pricing tool, thick moulded plastic, alone in an empty frame with no hands and no other objects. Blocky two-tone body in faded orange and cream, a fat rounded grip, a heavy squeeze lever fused into the grip as one thick block with no gap behind it, and a stubby sealed roll housing with a smooth closed blank face. Every form is thick, rounded and fused into a single continuous mass; no protruding, wire-like or paper-thin parts anywhere, no dial, no digit wheel, no exposed roll, no opening. Completely unbranded and completely blank: no text, no numbers, no logos, no printing on any surface. Matte grimy plastic, scuffed and dulled with age, worn round at the edges; no gloss, no chrome, no polished metal, no transparency. Three-quarter view from slightly above eye level so the front face and one side face both read clearly. Flat even soft diffuse studio light wrapping every surface, no hard shadow, no cast shadow, no rim light, no drama. Empty seamless light grey studio sweep behind it, no floor line, no surface, no setting, no context. The whole tool sits centred with generous margin on all sides, uncropped, never touching the frame edge. Nothing in shot but this one scuffed orange pricing tool, isolated. 1:1


kind: image

model: Nano Banana 2

title: compact film camera

prompt: Beige-and-charcoal chunky plastic compact film camera from the mid 1990s, one single object and nothing else in the picture. Rounded soap-bar body, thick and solid, with the sliding lens cover shut so the lens is entirely concealed behind a flat matte panel. Every optical opening is a shallow blank recess: the viewfinder window, the flash window, the autofocus sensor windows and the timer lamp are all sealed as flat matte plastic with no glass, no lens elements, no reflective optics, no dark transparent covers. No frame-counter LCD, no display, no digits, no numerals, no engraved figures, no icons or pictograms. The shutter release is a broad shallow disc, not a thin pin. No strap, no strap lug, no eyelet ring, no metal loop, no cord, no wrist loop, no chain, no thin protruding part of any kind: the silhouette is one closed solid volume. Unbranded, blank faceplate, no text, no logos, no model names, no markings anywhere. Materials matte throughout, dull scuffed beige plastic and worn charcoal rubber grip, corners rubbed chalky and dull, no chrome, no polished metal, no mirror finish, no gloss highlight, no transparency. Three-quarter view from a little above eye level so the front face, one short end and the top plate are all clearly readable. Soft even diffuse studio light wrapping the whole body, no hard shadow, no specular hotspot, no directional key, no rim light. Plain seamless light-grey studio sweep behind it, no floor line, no table, no plinth, no label card, no scale bar, no environment, no second item in view. The camera sits centred with generous empty margin on every side, whole body in frame, uncropped, nowhere near the borders. Flat catalogue lighting on a dull beige plastic brick with its lens tucked away. 1:1


kind: image

model: Nano Banana 2

title: portable cd player

prompt: Chunky matte grey 1990s personal compact-disc player, one single solid closed clamshell puck and nothing else in the frame. Thick moulded plastic shell with softened worn edges, a sunken faded rubber button pad, a fat integrated hinge block, an opaque lid with no window. Cordless with every cable removed: no earphone lead, no belt clip, no wrist loop, no strap, no clasp, no keyring, no dangling or protruding slim parts of any kind, the shell left smooth and closed. Unbranded and unmarked: no printed label, no text, no logo, no lettering, no numbers, no icons, plain unmarked buttons. Photographed three-quarter from slightly above eye level so the top face, the front control edge and one side edge are all clearly visible at once. The whole player sits centred with generous margin, uncropped, never touching the frame edge. A seamless light grey studio sweep fills the entire background and merges into the ground with no horizon line, no table, no floor, no shelf, no scene, no other item. Even soft diffuse studio light, no hard shadow, no cast shadow, no rim light, no bright specular hotspot. Matte throughout: no chrome, no polished metal, no silver trim, no metallic paint, no gloss, no mirror, no glass, no transparency. Photoreal studio capture of one battered grey plastic disc-player puck. 1:1


kind: image

model: Nano Banana 2

title: boombox

prompt: Chunky 1990s op-shop boombox, single solid object, nothing else in the frame. One wide moulded plastic body. Bridging the top is a very thick, deep, slab-like carry bar of solid plastic — heavy, blocky, rounded at the corners, never a thin loop, never a slender arch. The two speakers are large flat circular covers moulded as solid opaque plastic with shallow concentric ridges: no perforated mesh, no drilled holes, no metal screen, no fabric. The cassette door is a flat opaque plastic panel, no window. The tuning area is a flush blank matte panel — no dial scale, no frequency numerals, no sliding needle, no clear cover. Fat cylindrical knobs and large square push buttons, every one of them completely blank: no icons, no arrows, no lettering, no index marks, no printed symbols anywhere, unbranded, no logo, no model number. The top surface is a smooth solid moulding with no antenna, no aerial, no socket, no wires, no mains cord, no straps, no clips — cordless. Grey and cream plastic yellowed by decades of sun, scratched, scuffed, dusty, matte throughout: no chrome, no polished metal, no mirror finish, no glass, no transparency, no gloss highlights. Three-quarter angle with the camera slightly above the object, front face and one side face both clearly visible. The whole object sits well inside the frame with generous empty margin on every side, not cropped, not touching any edge. Background is a plain seamless light grey studio sweep, completely empty — no floor line, no scene, no cast shadow. Soft even diffuse light wrapping the object from every direction, no hard shadow, no rim light. It should read as a tired dead lump of plastic last switched on in 1997. 1:1


kind: image

model: Nano Banana 2

title: chipped ceramic mug

prompt: Chipped cream and dusty-pink op-shop mug, one heavy ceramic drinking vessel isolated in frame with absolutely nothing else present: no hand, no saucer, no spoon, no table. Squat cylindrical body with thick heavy walls, a blunt sturdy rim, and a fat chunky solid handle; no thin loops, no delicate parts, no filigree. Crazed dulled surface, a small chip out of the rim and another off the base ring, faint brown staining inside the bowl; the interior is empty and bone dry, no liquid, no tea. Banded cream and dusty-pink colour only, entirely unbranded, blank surface, no text, no logos, no printed design, no decal. Framed three-quarter from slightly above, so the rim opening, the front curve and the handle side all read clearly at once. The object floats centred with generous empty margin on every side, never cropped, well clear of all four frame edges. Behind and beneath it only a seamless pale grey studio sweep, no floor line, no pooled shadow, no scene, no context. Matte chalky ceramic throughout with no sheen, no gloss, no specular hotspot, no mirror finish, no glass, no transparency. Even soft omnidirectional studio light, flat and shadowless, no rim light. A dull thrifted vessel, thick-walled and chalky. 1:1


kind: image

model: Nano Banana 2

title: esky cooler box

prompt: Sun-faded two-tone portable drinks cooler from 1990s Australia, lid shut, the only object present: no hands, no table, no other prop. Thick rotomoulded plastic shell, fat rounded corners, deep moulded grip recesses sunk into both short ends instead of a separate handle. The lid is one solid slab seated on a thick moulded lip: no hinge pin, no latch, no clip, no strap, no rope, no chain, no wire, no zip pull, no keyring, no drain bung tether, no thin part anywhere. Sun-bleached blue lid over a dirty off-white base, deep scratches, chalky UV fade, grime settled in the corners. Completely unbranded, blank smooth panels, no text, no logos, no lettering, no stickers, no embossed words. Three-quarter view, camera slightly above eye level, so the closed lid, one long side and one short end all read at once. Whole box inside the frame with generous margin on every side, never touching the frame edge. Seamless pale grey studio sweep fills the entire background, featureless, no horizon, no floor line, no surface beneath the box. Flat even soft diffuse light, no cast shadow, no hard highlight, no rim light. Matte scuffed plastic only: no chrome, no metal trim, no gloss, no reflection, no transparency. Dull chalky rotomoulded shell, honest wear, nothing shiny. 1:1


kind: image

model: Nano Banana 2

title: rubber hand torch

prompt: Chunky second-hand Australian workshop flashlight, a fat rubber-armoured hand torch of the 1990s, one object alone, no hand and no holder anywhere in frame. Solid cylindrical barrel, broad flared head, thick ribbed rubber grip, one large recessed slide switch, heavy chunky proportions throughout, a bare unadorned body with no lanyard loop, no cord, no wrist strap, no belt clip, no keyring. Faded orange over black rubberised shell, deeply scuffed, grime worked into every rib, the head capped by a flat opaque matte disc, a solid painted face rather than a lens. Unbranded and blank: no text, no logos, no moulded lettering, no warning labels. Three-quarter angle from slightly above, showing the top of the barrel together with one side flank and the front face of the head. The whole flashlight floats fully inside the frame with generous clearance from every edge. A plain seamless off-white studio sweep fills the entire background, no props, no floor line, no horizon, no cast shadow. Soft omnidirectional diffuse light, no hot spots, no glare, no drama. Matte everywhere: no chrome bezel, no polished trim, no mirrored dish, no transparency. Dull orange rubber, dusty tool-shed honesty, photographed dead plain. 1:1


kind: image

model: Nano Banana 2

title: canvas school backpack

prompt: Sun-bleached navy blue canvas rucksack, early 1990s Australian school bag, one single object and nothing else in the frame. Chunky rounded body, one big main compartment, one shallow front pocket, and a blank square of plain canvas where a badge would be — no text, no lettering, no logo, no brand name. The two padded shoulder straps are moulded thick and solid and fused flush into the rear panel as part of the body: no gaps, no loops, no buckles, no adjuster sliders, no webbing tails, no strap standing away from the bag. Closures are sculpted raised ridges of matte plastic, no metal teeth, no zip slider, no zip pull, no keyring, no cord, no toggle, no lace. Every surface matte: dusty faded cotton canvas, scuffed corners, a worn matte base panel with no sheen, no gloss, no chrome, no metal hardware, nothing reflective. Seamless light grey studio sweep behind and beneath, no floor line, no horizon, no table, no shelf, no hands, no person, no second prop. Even soft diffuse light wrapping in from every side, no hard shadow, no cast shadow, no rim light, no highlight glare. Three-quarter view from slightly above eye level so the front face and one side panel both read clearly and the top of the bag is visible. Centred small with wide empty margin all around, never cropped, never touching an edge — just the one faded navy rucksack floating on flat grey. 1:1

slot: back


kind: image

model: Nano Banana 2

title: nylon bum bag

prompt: Second-hand 1990s Australian bum bag in faded maroon and teal nylon, a single isolated object and nothing else. Chunky rounded kidney-shaped pouch body with a raised angled front pocket moulded proud of the main body. Closures are sculpted as thick soft moulded ridges only: no zip teeth, no zipper slider, no pull tab, no keyring, no cord, no lanyard, no metal hardware. The waist belt is cut down to two short stubby blocks of thick nylon, one at each end of the pouch, each ending bluntly a few centimetres out — no long strap, no loop, no webbing, no buckle, no clasp, no adjuster tails, no dangling ends. All surfaces matte, chalky, sun-faded and slightly grubby, stitched seams shown as soft shallow grooves; no gloss, no sheen, no transparency. Unbranded: blank colour-blocked panels, no text, no lettering, no logos, no surf-brand markings. Isolated on a seamless light grey studio sweep, empty background, no floor line, no cast shadow, no hands, no body, no mannequin, no other props. Even soft wraparound diffuse studio light, no hard shadow, no hotspot, no rim light. Three-quarter camera angle from slightly above eye level, so the front face and one blunt belt stub read together. Whole bag centred with generous empty margin on all sides, nothing touching or crossing the frame edge. Kidney pouch, two blunt stubs, matte faded nylon. 1:1

slot: back


kind: image

model: Nano Banana 2

title: dj record bag

prompt: Squared-off second-hand DJ record carry box, one single object and absolutely nothing else in the picture. Chunky rectangular body with a broad square front panel and a shallower boxy depth, built from matte pebbled charcoal-grey synthetic leather with softly rounded corners and thick blunt edges. Lid flap closed flat over the top and fastened by two stubby matte plastic tabs that sit almost flush with the front panel. Flat unbroken top with no arching handle: the carry strap has been removed, leaving only two shallow moulded anchor pads blended smoothly into the sides. The box is solid, closed and empty, nothing packed inside, no records anywhere. Every surface deeply matte and slightly chalky, greyed and rubbed pale at the corners from years of use, unbranded, blank panels, no writing, no lettering, no logo, no numbers. Set against a plain seamless pale grey studio sweep filling the frame edge to edge, no floor, no horizon line, no cast shadow, no contact shadow, the object centred and free-floating. Even soft diffuse light from all sides, no hard shadow, no specular hotspot, nothing glossy, no chrome, no metal fittings, no zips, no buckles, no straps, no cords. Photographed from a three-quarter angle a little above eye level so the front panel and one deep side panel both read clearly, with the top of the closed flap just visible. Generous empty margin on all four sides around the whole charcoal record box; no part of the box touches or crosses the frame edge. 1:1

slot: back


kind: image

model: Nano Banana 2

title: canvas tennis shoe

prompt: Op-shop tennis shoe in cream canvas, one left shoe alone, low-cut, a period-correct 1990s Australian second-hand sandshoe. Thick slab-like tan rubber sole, fully opaque and dull, never translucent, never shiny, never amber glass. Faded cream canvas upper gone slightly yellow with age; a plain block of dull green and dull gold canvas across the heel counter as a flat colour panel only — no patch, no badge, no emblem, no stripe, no text, no lettering, no logo, no brand mark, unbranded, blank tongue. The lacing is one solid moulded slab: the laces read as fat rounded bars carved into a single filled panel that fuses flush to the tongue, with no air gap beneath any bar, no loose strand, no bow, no knot, no dangling ends, no eyelet holes, no metal eyelet rings, no aglets, no thin cord anywhere on the shoe. The ankle opening is shallow and sealed by a solid moulded footbed, not a deep hollow cavity. Scuffed toe cap, grubby sole edge, soft worn creases across the vamp, every surface matte and chalky. This shoe and nothing else occupies the picture — no hands, no people, no second shoe, no table, no props. Whole shoe visible with generous empty margin on all four sides, complete and uncropped, not touching the frame edge. Three-quarter angle from slightly above eye level, so the toe front and the outer side wall are both clearly readable in the one view. Background is a seamless empty light grey studio sweep, no horizon line, no shadow line, no scene, no context. Even soft diffuse light arriving from every direction, no hard shadow, no rim light, no spotlight, no specular hotspots. Every surface reads as dusty dry cloth and dull opaque rubber. 1:1

slot: foot


kind: image

model: Nano Banana 2

title: elastic-sided work boot

prompt: A single worn elastic-sided leather work boot for the left foot, alone, mid-1990s Australian second-hand: ankle-height Chelsea cut, tan-brown nubuck rubbed pale across the toe cap and creased along the flex line, built onto one thick moulded tan rubber wedge sole. Laceless by design: the elastic gusset panels are moulded flush into the sides as solid inset panels, and the front and rear pull tabs are chunky slabs of leather fused to the shaft, filled in solid, with no gap or opening beneath them. Every part of it is thick and solid; nothing thin, nothing loose, nothing dangling. Blank undyed leather, unbranded, no stamped lettering, no logo, no label of any kind. One boot and nothing else: no pair, no second boot, no foot inside it, no hand, no box. Shown upright and isolated, complete within the frame with generous empty margin on all sides, never touching an edge, with no ground plane, no surface beneath it and no contact shadow. Seen in three-quarter view from slightly above eye level so the toe cap and the outer wall of the shaft both read clearly. Background is a plain seamless light grey studio sweep, entirely empty, no horizon, no floor line, no scene. Even soft diffuse studio light, no hard shadow, no rim light, no specular streak. Material is fully matte: scuffed dry nubuck and dull crumbly rubber, chalky and unpolished, zero sheen, zero gloss, no chrome, no glass, no eyelets or metal hardware. 1:1

slot: foot


kind: image

model: Nano Banana 2

title: chunky cross-trainer sneaker

prompt: Bulky mid-1990s cross-trainer shoe, one left shoe alone, second-hand op-shop condition: fat white and dusty teal synthetic upper with a thick padded ankle collar, an oversized moulded midsole in foam yellowed to cream, and a chunky dark grey rubber outsole. Laceless by design: the lacing area is one smooth moulded solid panel fused to the tongue, laces omitted entirely, no cord, no bow, no knot, no dangling ends, no aglets, no metal eyelets, no eyelet holes, no lace hooks, no heel pull loop, no tongue tab, no mesh, no perforations, no thin parts anywhere. Every surface is matte and worn — creased toe box, faint dirt smudging across the midsole, scuffed heel counter — with no gloss, no chrome, no reflective trim, no shiny highlights. Completely unbranded: blank side panels, no marks, no lettering, no logo, no emblem, no printed graphic of any kind. Exactly one object in the picture and nothing else: no foot, no hand, no second shoe, no floor, no furniture, no props. Framed three-quarter with the camera slightly above eye level so the toe and the outer sidewall are both clearly visible, the whole shoe inside the frame with wide empty margin all round, never touching an edge. Background is a seamless flat light grey studio sweep, no horizon line, no cast shadow pool, no environment. Lighting is broad, soft and perfectly even, no hard shadow, no rim light. Chunky solid forms throughout, right down to the blocky rounded tread lugs of the cross-trainer outsole. 1:1

slot: foot


kind: image

model: Nano Banana 2

title: rubber gumboot

prompt: Product-catalogue study of a single knee-high moulded rubber gumboot, isolated, left foot, a second-hand Australian farm boot from the early 1990s. The rubber is a faded charcoal grey-green, completely matte, chalky and sun-bleached, scuffed pale up the calf, with dried mud crusted into the tread. The form is one solid chunky moulded volume: thick-walled shaft, rounded reinforced toe cap, heavy squared heel, and broad shallow blocky tread with wide grooves — no fine sipes, no filigree. The heel kick-tab is a solid raised rubber wedge fused to the boot, not a loop. The boot top is closed and filled, reading as a capped solid rather than an open hollow tube. Blank rubber everywhere: unbranded, unlettered, no logo, no embossed writing, no laces, no buckles, no straps, no cord, no tags. Nothing else exists in the image — the boot alone, complete, centred, generous empty margin on every side, never cropped, never touching the frame edge, no ground plane and no contact shadow beneath it. Framed three-quarter from slightly above eye level so the toe and the outer wall of the calf are both fully readable. Background is an empty seamless pale grey studio sweep, featureless. Lighting is soft, even, diffuse and shadowless from all directions. The gumboot's rubber stays dead-flat matte and dusty, never wet-look. 1:1

slot: foot


kind: image

model: Nano Banana 2

title: stacking tub

prompt: Shallow moulded plastic stacking tub, one single object: a scuffed second-hand Australian storage tub roughly 0.33 m along its longest side and only about 0.14 m deep, moulded in one piece from thick slab plastic, once postbox red and now sun-bleached to a chalky washed-out salmon. Its walls are solid and closed all the way round and a good two centimetres thick. A regular grid of shallow square dimples is pressed into each outer wall face; every dimple is a smooth blind pocket only a few millimetres deep, far shallower than the wall it sits in, and a soft ambient darkening gathers in the inner corners of each pocket so the dimples read unmistakably as pressed pockets in solid plastic rather than openings. The rim is a single thick rolled lip of chunky plastic. Sunk into each end wall is one smooth blind dish, a shallow handhold pressed into the solid plastic and backed by it. Because the tub is shallow and the camera looks down on it from three-quarters above eye level, its flat inner base and all four inner walls are plainly and completely visible at once, with no hidden cavity anywhere. The plastic is entirely matte, chalky, dusty and scratched, blank and unprinted, bearing no lettering, no logo, no sticker. No gloss, no chrome, no mirror finish, no transparency, no specular highlight. The tub is centred and whole in a seamless mid-grey studio void that fills the frame as one unbroken field behind it and around it, with no floor line, no ground plane, no contact shadow and nothing else present, generous grey margin on all four sides, never touching a frame edge. A lone worn plastic stacking tub, and nothing besides. 1:1


kind: image

model: Nano Banana 2

title: lp block

prompt: Squared block of stacked twelve-inch record sleeves, one single object: about forty blank card sleeves stacked and squared into one solid rectangular block, roughly 32 cm by 32 cm across its faces and a full 12 cm deep, so it reads as a chunky slab of card rather than a thin sheet. The card is matte and unprinted, blank on every face, the colour of aged buff manila, foxed and shelf-worn, its corners softly bumped and furred, its edges compressed from years of standing in a rack. Across the 12 cm depth the stacked sleeve edges read as fine horizontal striations pressed tightly together into one fused solid mass with no gaps, no protruding sleeve, no disc emerging, no loose card. Matte throughout: no gloss, no sheen, no chrome, no transparency, no specular highlight anywhere. Three-quarter view with the camera slightly above eye level, so the top face of the block, one long side and one short side all read clearly as three distinct planes at once. The block sits centred and whole in a seamless mid-grey studio void filling the frame edge to edge as one unbroken field, no floor line, no ground plane, no cast shadow, no surface, nothing else in the picture, generous empty margin on every side and no edge of the block touching the frame. One lone squared bundle of worn record sleeves. 1:1