Concerning the Spiritual in Art (1911) taken at its word: six pigments
round a wireframe palette, weiß the canvas on the easel, schwarz the
final pause, his four great contrasts strung dashed between the drops —
and every feed seated by the feeling of its colour, each colour keyed
to the register of its instrument. Paint strokes itself onto the canvas
as the data sings. Plus GODSTRUMENT_MANUAL_SOURCE.md (the manual's
source doc) and its Appendix E entry for the new skin.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
