From c6083fb2b7652bd263b467be6cb771cc06928376 Mon Sep 17 00:00:00 2001 From: type-two Date: Mon, 6 Jul 2026 20:05:48 +1000 Subject: [PATCH] =?UTF-8?q?=E2=98=AF=20the=20bagua=20=E2=80=94=20the=20I?= =?UTF-8?q?=20Ching=20joins=20the=20Spirits,=20and=20the=20world=20casts?= =?UTF-8?q?=20itself?= MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 8bit Eight trigrams in the King Wen Later Heaven ring, south at the top as the compasses have it, every feed seated by the Shuogua's attributions: quakes at zhen the thunder-shock, the word at dui the mouth, the moon at kan, the sun at li, your own hands at gen — "Gen is the hand." At the centre the two loudest trigrams stack into a live hexagram, named from all 64 by the King Wen table; silence rests at 11, Peace. Co-Authored-By: Claude Fable 5 --- GODSTRUMENT_MANUAL_SOURCE.md | 13 +++- viz/index.html | 122 ++++++++++++++++++++++++++++++++++- 2 files changed, 131 insertions(+), 4 deletions(-) diff --git a/GODSTRUMENT_MANUAL_SOURCE.md b/GODSTRUMENT_MANUAL_SOURCE.md index fbbcaa4..7d8d965 100644 --- a/GODSTRUMENT_MANUAL_SOURCE.md +++ b/GODSTRUMENT_MANUAL_SOURCE.md @@ -522,7 +522,7 @@ Learn these seven gestures and the whole planet is under your hands: - **Skins — the same spine, another cosmology.** Right-click the sky and cycle **skin**. Beyond the seven *chakras* there is **the planes**: the Seven Planes & forty-nine sub-planes of the Cosmic Physical Plane from the Alice Bailey / D.K. teachings — **I Divine** (white light) down through **Monadic** (violet), **Atmic**, **Buddhic**, **Mental** (where the egoic lotus sits), **Astral**, to **VII Physical** (red). The spine becomes the 49-sub-plane spectrum ladder; the side-brackets mark the **Monad**, the **Spiritual Triad** and the **Personality**; and every feed climbs to the plane that matches its rarefaction — the sun's own wind at the Divine, orbits and the sky's geometry at the Monadic, the great cyclic wheels at the Atmic, omen and aspect at the Buddhic, abstract thought and money-as-idea at the Mental, desire and fire and felt sensation at the Astral, and the dense body of the world — weather, quakes, the mortal rates, your own hands — at the Physical. Go inside any plane (mind mode) and its keys play a scale pitched to its altitude: airy whole-tone up at the Divine, grounded minor-pentatonic down at the Physical. -- **One Source, many Spirits, one Matter.** That is the whole architecture: the **Source** is the world's data, the same for everyone; the **Spirit** is the skin — the belief system through which you read it; the **Matter** is the sound. Choose your spirit, and the same planet plays through it. The shelf so far, each rendered from its own published lore, literally and without frills: the **Tree of Life** (Hermetic Qabalah, Golden Dawn attributions — ten sephirot on three pillars, all twenty-two canonical paths, Mercury's data at Hod, the Moon's at Yesod, the body of the world at Malkut); **the Lodge** (from published Masonic sources only — Worshipful Master in the East, Wardens West and South, the North dark, Boaz and Jachin at the porch where *your own hands* stand as the candidate, the Blazing Star, the Volume of the Sacred Law as humanity's open book, and music given to the South, for Beauty holds the arts); the **Hermetic ladder** of the seven planetary gates, lead to silver; **Yggdrasil** and its nine worlds, the dwarves keeping the markets in Nidavellir; the Sufi **lata'if**, where the wind data literally breathes at Ruh, spirit-as-breath; and the **Wu Xing**, five phases in their generating ring and controlling star, the metal birds of the air routed to Metal; and **the Spread** — the Celtic Cross of the tarot (Waite's published layout), dealt live and never finished: the heavens in *what crowns you*, the deep debts and quake-roots in *what is beneath you*, the retrogrades in *what is behind you*, births and seasons in *what is before you*, money and fire in *your hopes and fears* — and **your own hands in the Querent's place**, because you are the one asking. Right-click the sky → **skin** to turn the wheel of traditions. Each map stands as its true figure — the Tree as a tree, the Lodge as a lodge — and every station opens into mind mode with its own scale under your hands. Newest on the shelf: **the wheel** — the astrologer's own view, twelve signs in a circle with 0° Aries at the ascendant's place, every feed routed to its sign by traditional rulership (wildfires to Aries, your holdings to Taurus, the word to Gemini, the far-travelling planes to Sagittarius…), the **live planets riding the rim**, your natal chart on the inner ring, and the aspects drawn as **chords across the circle** — red the squares and oppositions, green the trines and sextiles, gold the conjunctions, dashed where the living sky strikes your natal points. And everywhere else, those same aspects now draw as faint **cables between the planets' own spheres** in any skin — the sky's geometry made visible in whatever cosmology you're standing in. And every Spirit now speaks **its own tongue**: the sephirot in Hebrew (כתר, חכמה, בינה…), the chakras in Devanagari (सहस्रार, अनाहत…), the lata'if in Arabic (قلب, روح, سر…), the nine worlds in Old Norse (ásgarðr, miðgarðr, helheimr…), the planetary gates in their glyphs (☽ ☿ ♀ ☉ ♂ ♃ ♄), the five phases in their characters (木 火 土 金 水). The lore, in the letters it was written in. Two more Spirits joined the shelf: **the runes** — the Elder Futhark, all twenty-four in the Kylver-stone row, ringed as a rune-band, every feed seated by its rune-poem meaning (wealth's strife at ᚠ fehu, Odin's word at ᚨ ansuz, the giant's blow at ᚦ thurisaz for the quakes, need's narrow band at ᚾ nauthiz for hunger and want, the lot-cup ᛈ perthro holding your natal fate, and **your raised hands at ᛉ algiz, the warding rune that is itself a figure with arms lifted**); and the **Wheel of the Year** — the eight Celtic festivals at their true solar longitudes (the astronomical reckoning: quarters at the equinoxes and solstices, cross-quarters at fifteen degrees of the fixed signs), deaths and the deep things at Samhain where the veil thins, births at Imbolc, the fires and the dance and the bond at Beltane, the great fair of commerce and chatter at Lughnasadh — **with the live sun walking the rim, showing exactly where the year stands today**. Honesty note kept from the scholarship: the unified eightfold wheel is a modern synthesis of the attested Irish fire festivals and older solstice customs — true lore, honestly labeled. And newest of all, the first Spirit with no temple: **the artist** — Kandinsky's *Concerning the Spiritual in Art* (1911) taken at its word, his colour-sound table rendered as a wireframe easel. Six pigments squeezed round the palette — **gelb** the trumpet blown louder and louder (the news, the markets' mania), **orange** the Angelus bell (the clocks, the hours), **rot** the drumbeat (your heartbeat, the quakes, the flame), **grün** the violin's placid middle strings (the weather at rest), **blau** deepening from flute toward the organ (the whole heavenly circle), **violett** the bassoon (the retrogrades, Saturn, the sorrows) — with **weiß**, the great silence pregnant with possibility, waiting as the canvas itself (your unpainted chart lives there, and *your own hands hold the brush*), and **schwarz**, the pause after which nothing follows, at the palette's edge with the deaths and the debt. His four great contrasts strung dashed between the drops, and as each colour's data sings, its paint **strokes itself up onto the canvas** — the world painting, live. Labels in German, the tongue he wrote it in. +- **One Source, many Spirits, one Matter.** That is the whole architecture: the **Source** is the world's data, the same for everyone; the **Spirit** is the skin — the belief system through which you read it; the **Matter** is the sound. Choose your spirit, and the same planet plays through it. The shelf so far, each rendered from its own published lore, literally and without frills: the **Tree of Life** (Hermetic Qabalah, Golden Dawn attributions — ten sephirot on three pillars, all twenty-two canonical paths, Mercury's data at Hod, the Moon's at Yesod, the body of the world at Malkut); **the Lodge** (from published Masonic sources only — Worshipful Master in the East, Wardens West and South, the North dark, Boaz and Jachin at the porch where *your own hands* stand as the candidate, the Blazing Star, the Volume of the Sacred Law as humanity's open book, and music given to the South, for Beauty holds the arts); the **Hermetic ladder** of the seven planetary gates, lead to silver; **Yggdrasil** and its nine worlds, the dwarves keeping the markets in Nidavellir; the Sufi **lata'if**, where the wind data literally breathes at Ruh, spirit-as-breath; and the **Wu Xing**, five phases in their generating ring and controlling star, the metal birds of the air routed to Metal; and **the Spread** — the Celtic Cross of the tarot (Waite's published layout), dealt live and never finished: the heavens in *what crowns you*, the deep debts and quake-roots in *what is beneath you*, the retrogrades in *what is behind you*, births and seasons in *what is before you*, money and fire in *your hopes and fears* — and **your own hands in the Querent's place**, because you are the one asking. Right-click the sky → **skin** to turn the wheel of traditions. Each map stands as its true figure — the Tree as a tree, the Lodge as a lodge — and every station opens into mind mode with its own scale under your hands. Newest on the shelf: **the wheel** — the astrologer's own view, twelve signs in a circle with 0° Aries at the ascendant's place, every feed routed to its sign by traditional rulership (wildfires to Aries, your holdings to Taurus, the word to Gemini, the far-travelling planes to Sagittarius…), the **live planets riding the rim**, your natal chart on the inner ring, and the aspects drawn as **chords across the circle** — red the squares and oppositions, green the trines and sextiles, gold the conjunctions, dashed where the living sky strikes your natal points. And everywhere else, those same aspects now draw as faint **cables between the planets' own spheres** in any skin — the sky's geometry made visible in whatever cosmology you're standing in. And every Spirit now speaks **its own tongue**: the sephirot in Hebrew (כתר, חכמה, בינה…), the chakras in Devanagari (सहस्रार, अनाहत…), the lata'if in Arabic (قلب, روح, سر…), the nine worlds in Old Norse (ásgarðr, miðgarðr, helheimr…), the planetary gates in their glyphs (☽ ☿ ♀ ☉ ♂ ♃ ♄), the five phases in their characters (木 火 土 金 水). The lore, in the letters it was written in. Two more Spirits joined the shelf: **the runes** — the Elder Futhark, all twenty-four in the Kylver-stone row, ringed as a rune-band, every feed seated by its rune-poem meaning (wealth's strife at ᚠ fehu, Odin's word at ᚨ ansuz, the giant's blow at ᚦ thurisaz for the quakes, need's narrow band at ᚾ nauthiz for hunger and want, the lot-cup ᛈ perthro holding your natal fate, and **your raised hands at ᛉ algiz, the warding rune that is itself a figure with arms lifted**); and the **Wheel of the Year** — the eight Celtic festivals at their true solar longitudes (the astronomical reckoning: quarters at the equinoxes and solstices, cross-quarters at fifteen degrees of the fixed signs), deaths and the deep things at Samhain where the veil thins, births at Imbolc, the fires and the dance and the bond at Beltane, the great fair of commerce and chatter at Lughnasadh — **with the live sun walking the rim, showing exactly where the year stands today**. Honesty note kept from the scholarship: the unified eightfold wheel is a modern synthesis of the attested Irish fire festivals and older solstice customs — true lore, honestly labeled. And newest of all, the first Spirit with no temple: **the artist** — Kandinsky's *Concerning the Spiritual in Art* (1911) taken at its word, his colour-sound table rendered as a wireframe easel. Six pigments squeezed round the palette — **gelb** the trumpet blown louder and louder (the news, the markets' mania), **orange** the Angelus bell (the clocks, the hours), **rot** the drumbeat (your heartbeat, the quakes, the flame), **grün** the violin's placid middle strings (the weather at rest), **blau** deepening from flute toward the organ (the whole heavenly circle), **violett** the bassoon (the retrogrades, Saturn, the sorrows) — with **weiß**, the great silence pregnant with possibility, waiting as the canvas itself (your unpainted chart lives there, and *your own hands hold the brush*), and **schwarz**, the pause after which nothing follows, at the palette's edge with the deaths and the debt. His four great contrasts strung dashed between the drops, and as each colour's data sings, its paint **strokes itself up onto the canvas** — the world painting, live. Labels in German, the tongue he wrote it in. And beside the easel now hangs **the bagua** — the I Ching's eight trigrams in the King Wen "Later Heaven" ring, south at the top as the old compasses have it, every feed seated by the Shuogua's own attributions: the earthquakes at **☳ zhèn, the trigram that literally means thunder-shock**; the word at ☱ duì, for "Dui is the mouth and tongue"; the moon's data at ☵ kǎn, the sun's at ☲ lí; and **your own hands at ☶ gèn, for the Shuogua says plainly: Gen is the hand**. And at the centre, the oracle never rests: the two loudest trigrams of the moment stack into a **live hexagram** — the strongest below as the ground of the moment, the second above — drawn line by line in their own colours and named from all sixty-four by the King Wen table, re-cast as the world's weather shifts. When the planet falls silent it settles at hexagram 11, *Peace*: heaven below, earth above. The book that reads itself, forever. - **The groove grids — sequence the voices.** Open any voice's tab (shift-click it) and there's a **16-step grid on the godtime clock**. The note voices (*lead, bass*) get a **mini piano roll** — eight rows of minor pentatonic, click to place a note, click again to clear — and while your groove is on, *your melody replaces the data's*: bitcoin lets go of the lead and you take it. Every other voice gets an **808-style gate row** that rhythmically chops the world's signal — the reverb, the grit, the percussion breathing in your pattern while the planet still decides how hard. Grooves ride the godtime tempo (lock the dial, or let your heart drive it), and they **save with your patch**. And the **sources** get the grid too, with a different power: **sample & hold** — while a source's groove is on, the world's number is only *sampled* on your lit steps and held between them, so a smooth drifting feed becomes stepped, rhythmic, quantized in time. Bitcoin arpeggiating in your pattern. The wind as a sequence. If an out port is chosen in ⚙, godtime also sends **MIDI clock** (24 ppqn), so a DAW can slave its tempo to the planet — or to your pulse. And the grids play *outward* too: with an out port chosen, **piano-roll notes go out as real MIDI** on the lead and bass channels (each note one sixteenth long), and the **mind-mode console plays on its own third channel** — so your grooves and your chakra-scale jams drive Ableton, Strudel, or hardware exactly as they drive the built-in synth. The three mouths drink at once: ♪ for the browser synth, the out port for MIDI, both or neither — there is no switch, only where you point the sound. @@ -767,7 +767,7 @@ Groups are hand-curated macros — sets of sources you mute/gain as one feeling. | `spirit` | ✨ spirit | — | astro.harmony, almanac.fertile, zodiac.hour, clock.births | | `wealth` | 💰 wealth | — | crypto.price, market.turnover, market.velocity, debt.total | | `summer` | ☀ summer | — | season.north, season.south, weather.temp, sky.day | -## Appendix E — The Skins (the Spirits) — all 13 belief-system lenses +## Appendix E — The Skins (the Spirits) — all 14 belief-system lenses A skin is the same station-engine read through a tradition. Each = N stations (a vertical "spine" or a true 2D "map" figure) + a source→station mapper + a per-station musical scale. Press **C** to enter the view; right-click the sky → **skin** to choose. Every station opens into "mind mode" (click its core) with its own scale on a playable 12-key vector console. Sources route to stations by meaning/rarefaction. All lore was cross-checked against canonical sources; native scripts verified codepoint-by-codepoint. @@ -862,6 +862,13 @@ A skin is the same station-engine read through a tradition. Each = N stations (a - **Source→station mapping:** by Kandinsky's own colour-feelings: hands/natal/syn/harmony/births/light→weiß (the pregnant silence — your hands hold the brush); news/wiki/markets/crypto→gelb (the trumpet blown louder and louder); clocks/seasons/hours/audio→orange (the Angelus bell); body/fire/quake-event/Mars→rot (the drumbeat); weather/air/planes→grün (nature at rest); sun/sky/moon/ISS→blau (the heavenly circle); retrogrades/Saturn/hunger/tension→violett (the cooled red); deaths/debt/poverty→schwarz (the silence with no future) - **Per-station scales:** each colour in the register of its instrument: wholetone-84(weiß) · lydian-76(gelb·trumpet) · dorian-62(orange·alto bell) · mixolydian-45(rot·tuba&drum) · major-60(grün·violin middle) · pentatonic-48(blau·toward the organ) · phrygian-52(violett·bassoon) · minor-pent-36(schwarz) +### bagua — The Bagua (I Ching, Wilhelm translation) +- **Geometry:** MAP: the eight trigrams ringed in the King Wen "Later Heaven" arrangement, south (Li) at top per the traditional compass, east (Zhen) at left; solid paths trace the octagon rim. **Live overlay: the moment's hexagram** — the two most energetic trigrams stack (strongest below as the ground of the moment, second above), drawn as six yang/yin lines in the two trigrams' colours, named from all 64 via the King Wen table with its Unicode hexagram glyph (e.g. "䷩ hexagram 42 · increase"), re-cast at most every 2s. With no data: hexagram 11 · Peace (heaven below, earth above). +- **Language on labels:** trigram glyphs + hanzi + pinyin (☰ 乾 qián …) +- **Stations:** qián·heaven·the-creative, duì·lake·the-joyous, lí·fire·the-clinging, zhèn·thunder·the-arousing, xùn·wind·the-gentle, kǎn·water·the-abysmal, gèn·mountain·keeping-still, kūn·earth·the-receptive. Petals follow the Fuxi binary order, Qian 8 → Kun 1. +- **Source→station mapping:** by the Shuogua's attributions: hands→gèn ("Gen is the hand"); deaths/retrogrades/seasons→gèn (end-and-beginning, the standstill); quakes/body/tension→zhèn (the shock); fire/sun/light/aurora→lí (the sun, the eye); rain/tides/moon/debt→kǎn (water, the moon; the abyss — licence on the debt); wiki/news/audio/harmony/syn→duì ("the mouth and tongue"; joy); weather/air/planes→xùn (what rides the wind); sky/orbits/natal/markets→qián (the heavens; "Qian is jade, is gold" — licence on the markets); births/world/almanac→kūn (the mother, the multitude) +- **Per-station scales:** lydian-74(qián) · major-64(duì) · mixolydian-60(lí) · phrygian-43(zhèn) · pentatonic-67(xùn) · minor-38(kǎn) · hirajoshi-55(gèn) · minor-pent-36(kūn) + ## Appendix F — Controls: keyboard & mouse **Keys:** `C` chakra/skin view · `P` performance mode (clean projection + rotating world-dispatch line) · `T` the tracks arranger · `↑`/`↓` travel the spine (inside mind mode) · `esc` step out of mind mode / close overlays · in mind mode the `Q W E R T Y U I O P [ ]` row plays the 12 keys of the station's scale. @@ -872,7 +879,7 @@ A skin is the same station-engine read through a tradition. Each = N stations (a **The godtime dial (top arc):** drag left/right = tempo 40–180 BPM; click = lock (unlocked, data nudges tempo). The 7 real planets ride it at live zodiac longitudes; a loaded natal chart adds gold "ghost" planet positions beneath it. -**Right-click the empty sky = the view menu:** chakra view · skin (submenu, all 13) · performance mode · 🌗 mood (submenu) · graphics (auto/full/ultra/lite) · hover zoom · ♥ connect your heart · 💰 your holdings · ✨ your stars · 🕸 the commune · 📽 the stage · 🎛 tracks. +**Right-click the empty sky = the view menu:** chakra view · skin (submenu, all 14) · performance mode · 🌗 mood (submenu) · graphics (auto/full/ultra/lite) · hover zoom · ♥ connect your heart · 💰 your holdings · ✨ your stars · 🕸 the commune · 📽 the stage · 🎛 tracks. ## Appendix G — Output: MIDI, OSC, Strudel, Ableton diff --git a/viz/index.html b/viz/index.html index 8b55a94..a5b3fb6 100644 --- a/viz/index.html +++ b/viz/index.html @@ -925,7 +925,7 @@
  • Right-click anything — the everything menu. Every node carries its full settings under the right button: mute, solo, a level fader (0–2×), a trim offset, every cable it carries with its amount slider and an unpatch ×, and a nested patch to → list for laying new cables without dragging. Right-click the empty sky for the view menu. And the modifiers, for the fast hands: click mutes · ⇧-click opens the node's tab · ⇧-drag rides the level up and down · ⌥-click solos a source · ⌘-click multi-selects for grouping · ⌘⇧-click resets a node to neutral. People play differently; the instrument shouldn't care which hand you reach with.
  • Click a wheel — go inside it (mind mode). In chakra view, click any chakra's core and the camera steps into the wheel: its mandala of petals turns around your whole field of view, and that chakra's feeds circle you — drag to look around the full 360°. A vector console appears under your hands: 12 keys of that wheel's own scale (C minor pentatonic at the root, rising key by key to B hirajoshi at the crown), played by clicking, by the Q–] row, or by any connected MIDI keyboard — every note runs through the world's own reverb and grit, so you are jamming inside the instrument, in that chakra's mode, while the planet plays around you. ↑ ↓ travel the spine wheel to wheel; esc steps back out. And for powerful machines, right-click the sky and set graphics to ultra ✦: every orbiting feed grows a glowing comet trail, and the orbits breathe so the trails weave slow spirals.
  • Skins — the same spine, another cosmology. Right-click the sky and cycle skin. Beyond the seven chakras there is the planes: the Seven Planes & forty-nine sub-planes of the Cosmic Physical Plane from the Alice Bailey / D.K. teachings — I Divine (white light) down through Monadic (violet), Atmic, Buddhic, Mental (where the egoic lotus sits), Astral, to VII Physical (red). The spine becomes the 49-sub-plane spectrum ladder; the side-brackets mark the Monad, the Spiritual Triad and the Personality; and every feed climbs to the plane that matches its rarefaction — the sun's own wind at the Divine, orbits and the sky's geometry at the Monadic, the great cyclic wheels at the Atmic, omen and aspect at the Buddhic, abstract thought and money-as-idea at the Mental, desire and fire and felt sensation at the Astral, and the dense body of the world — weather, quakes, the mortal rates, your own hands — at the Physical. Go inside any plane (mind mode) and its keys play a scale pitched to its altitude: airy whole-tone up at the Divine, grounded minor-pentatonic down at the Physical.
    • -
  • One Source, many Spirits, one Matter. That is the whole architecture: the Source is the world's data, the same for everyone; the Spirit is the skin — the belief system through which you read it; the Matter is the sound. Choose your spirit, and the same planet plays through it. The shelf so far, each rendered from its own published lore, literally and without frills: the Tree of Life (Hermetic Qabalah, Golden Dawn attributions — ten sephirot on three pillars, all twenty-two canonical paths, Mercury's data at Hod, the Moon's at Yesod, the body of the world at Malkut); the Lodge (from published Masonic sources only — Worshipful Master in the East, Wardens West and South, the North dark, Boaz and Jachin at the porch where your own hands stand as the candidate, the Blazing Star, the Volume of the Sacred Law as humanity's open book, and music given to the South, for Beauty holds the arts); the Hermetic ladder of the seven planetary gates, lead to silver; Yggdrasil and its nine worlds, the dwarves keeping the markets in Nidavellir; the Sufi lata'if, where the wind data literally breathes at Ruh, spirit-as-breath; and the Wu Xing, five phases in their generating ring and controlling star, the metal birds of the air routed to Metal; and the Spread — the Celtic Cross of the tarot (Waite's published layout), dealt live and never finished: the heavens in what crowns you, the deep debts and quake-roots in what is beneath you, the retrogrades in what is behind you, births and seasons in what is before you, money and fire in your hopes and fears — and your own hands in the Querent's place, because you are the one asking. Right-click the sky → skin to turn the wheel of traditions. Each map stands as its true figure — the Tree as a tree, the Lodge as a lodge — and every station opens into mind mode with its own scale under your hands. Newest on the shelf: the wheel — the astrologer's own view, twelve signs in a circle with 0° Aries at the ascendant's place, every feed routed to its sign by traditional rulership (wildfires to Aries, your holdings to Taurus, the word to Gemini, the far-travelling planes to Sagittarius…), the live planets riding the rim, your natal chart on the inner ring, and the aspects drawn as chords across the circle — red the squares and oppositions, green the trines and sextiles, gold the conjunctions, dashed where the living sky strikes your natal points. And everywhere else, those same aspects now draw as faint cables between the planets' own spheres in any skin — the sky's geometry made visible in whatever cosmology you're standing in. And every Spirit now speaks its own tongue: the sephirot in Hebrew (כתר, חכמה, בינה…), the chakras in Devanagari (सहस्रार, अनाहत…), the lata'if in Arabic (قلب, روح, سر…), the nine worlds in Old Norse (ásgarðr, miðgarðr, helheimr…), the planetary gates in their glyphs (☽ ☿ ♀ ☉ ♂ ♃ ♄), the five phases in their characters (木 火 土 金 水). The lore, in the letters it was written in. Two more Spirits joined the shelf: the runes — the Elder Futhark, all twenty-four in the Kylver-stone row, ringed as a rune-band, every feed seated by its rune-poem meaning (wealth's strife at ᚠ fehu, Odin's word at ᚨ ansuz, the giant's blow at ᚦ thurisaz for the quakes, need's narrow band at ᚾ nauthiz for hunger and want, the lot-cup ᛈ perthro holding your natal fate, and your raised hands at ᛉ algiz, the warding rune that is itself a figure with arms lifted); and the Wheel of the Year — the eight Celtic festivals at their true solar longitudes (the astronomical reckoning: quarters at the equinoxes and solstices, cross-quarters at fifteen degrees of the fixed signs), deaths and the deep things at Samhain where the veil thins, births at Imbolc, the fires and the dance and the bond at Beltane, the great fair of commerce and chatter at Lughnasadh — with the live sun walking the rim, showing exactly where the year stands today. Honesty note kept from the scholarship: the unified eightfold wheel is a modern synthesis of the attested Irish fire festivals and older solstice customs — true lore, honestly labeled. And newest of all, the first Spirit with no temple: the artist — Kandinsky's Concerning the Spiritual in Art (1911) taken at its word, his colour-sound table rendered as a wireframe easel. Six pigments squeezed round the palette — gelb the trumpet blown louder and louder (the news, the markets' mania), orange the Angelus bell (the clocks, the hours), rot the drumbeat (your heartbeat, the quakes, the flame), grün the violin's placid middle strings (the weather at rest), blau deepening from flute toward the organ (the whole heavenly circle), violett the bassoon (the retrogrades, Saturn, the sorrows) — with weiß, the great silence pregnant with possibility, waiting as the canvas itself (your unpainted chart lives there, and your own hands hold the brush), and schwarz, the pause after which nothing follows, at the palette's edge with the deaths and the debt. His four great contrasts strung dashed between the drops, and as each colour's data sings, its paint strokes itself up onto the canvas — the world painting, live. Labels in German, the tongue he wrote it in.
    • +
  • One Source, many Spirits, one Matter. That is the whole architecture: the Source is the world's data, the same for everyone; the Spirit is the skin — the belief system through which you read it; the Matter is the sound. Choose your spirit, and the same planet plays through it. The shelf so far, each rendered from its own published lore, literally and without frills: the Tree of Life (Hermetic Qabalah, Golden Dawn attributions — ten sephirot on three pillars, all twenty-two canonical paths, Mercury's data at Hod, the Moon's at Yesod, the body of the world at Malkut); the Lodge (from published Masonic sources only — Worshipful Master in the East, Wardens West and South, the North dark, Boaz and Jachin at the porch where your own hands stand as the candidate, the Blazing Star, the Volume of the Sacred Law as humanity's open book, and music given to the South, for Beauty holds the arts); the Hermetic ladder of the seven planetary gates, lead to silver; Yggdrasil and its nine worlds, the dwarves keeping the markets in Nidavellir; the Sufi lata'if, where the wind data literally breathes at Ruh, spirit-as-breath; and the Wu Xing, five phases in their generating ring and controlling star, the metal birds of the air routed to Metal; and the Spread — the Celtic Cross of the tarot (Waite's published layout), dealt live and never finished: the heavens in what crowns you, the deep debts and quake-roots in what is beneath you, the retrogrades in what is behind you, births and seasons in what is before you, money and fire in your hopes and fears — and your own hands in the Querent's place, because you are the one asking. Right-click the sky → skin to turn the wheel of traditions. Each map stands as its true figure — the Tree as a tree, the Lodge as a lodge — and every station opens into mind mode with its own scale under your hands. Newest on the shelf: the wheel — the astrologer's own view, twelve signs in a circle with 0° Aries at the ascendant's place, every feed routed to its sign by traditional rulership (wildfires to Aries, your holdings to Taurus, the word to Gemini, the far-travelling planes to Sagittarius…), the live planets riding the rim, your natal chart on the inner ring, and the aspects drawn as chords across the circle — red the squares and oppositions, green the trines and sextiles, gold the conjunctions, dashed where the living sky strikes your natal points. And everywhere else, those same aspects now draw as faint cables between the planets' own spheres in any skin — the sky's geometry made visible in whatever cosmology you're standing in. And every Spirit now speaks its own tongue: the sephirot in Hebrew (כתר, חכמה, בינה…), the chakras in Devanagari (सहस्रार, अनाहत…), the lata'if in Arabic (قلب, روح, سر…), the nine worlds in Old Norse (ásgarðr, miðgarðr, helheimr…), the planetary gates in their glyphs (☽ ☿ ♀ ☉ ♂ ♃ ♄), the five phases in their characters (木 火 土 金 水). The lore, in the letters it was written in. Two more Spirits joined the shelf: the runes — the Elder Futhark, all twenty-four in the Kylver-stone row, ringed as a rune-band, every feed seated by its rune-poem meaning (wealth's strife at ᚠ fehu, Odin's word at ᚨ ansuz, the giant's blow at ᚦ thurisaz for the quakes, need's narrow band at ᚾ nauthiz for hunger and want, the lot-cup ᛈ perthro holding your natal fate, and your raised hands at ᛉ algiz, the warding rune that is itself a figure with arms lifted); and the Wheel of the Year — the eight Celtic festivals at their true solar longitudes (the astronomical reckoning: quarters at the equinoxes and solstices, cross-quarters at fifteen degrees of the fixed signs), deaths and the deep things at Samhain where the veil thins, births at Imbolc, the fires and the dance and the bond at Beltane, the great fair of commerce and chatter at Lughnasadh — with the live sun walking the rim, showing exactly where the year stands today. Honesty note kept from the scholarship: the unified eightfold wheel is a modern synthesis of the attested Irish fire festivals and older solstice customs — true lore, honestly labeled. And newest of all, the first Spirit with no temple: the artist — Kandinsky's Concerning the Spiritual in Art (1911) taken at its word, his colour-sound table rendered as a wireframe easel. Six pigments squeezed round the palette — gelb the trumpet blown louder and louder (the news, the markets' mania), orange the Angelus bell (the clocks, the hours), rot the drumbeat (your heartbeat, the quakes, the flame), grün the violin's placid middle strings (the weather at rest), blau deepening from flute toward the organ (the whole heavenly circle), violett the bassoon (the retrogrades, Saturn, the sorrows) — with weiß, the great silence pregnant with possibility, waiting as the canvas itself (your unpainted chart lives there, and your own hands hold the brush), and schwarz, the pause after which nothing follows, at the palette's edge with the deaths and the debt. His four great contrasts strung dashed between the drops, and as each colour's data sings, its paint strokes itself up onto the canvas — the world painting, live. Labels in German, the tongue he wrote it in. And beside the easel now hangs the bagua — the I Ching's eight trigrams in the King Wen "Later Heaven" ring, south at the top as the old compasses have it, every feed seated by the Shuogua's own attributions: the earthquakes at ☳ zhèn, the trigram that literally means thunder-shock; the word at ☱ duì, for "Dui is the mouth and tongue"; the moon's data at ☵ kǎn, the sun's at ☲ lí; and your own hands at ☶ gèn, for the Shuogua says plainly: Gen is the hand. And at the centre, the oracle never rests: the two loudest trigrams of the moment stack into a live hexagram — the strongest below as the ground of the moment, the second above — drawn line by line in their own colours and named from all sixty-four by the King Wen table, re-cast as the world's weather shifts. When the planet falls silent it settles at hexagram 11, Peace: heaven below, earth above. The book that reads itself, forever.
  • The groove grids — sequence the voices. Open any voice's tab (shift-click it) and there's a 16-step grid on the godtime clock. The note voices (lead, bass) get a mini piano roll — eight rows of minor pentatonic, click to place a note, click again to clear — and while your groove is on, your melody replaces the data's: bitcoin lets go of the lead and you take it. Every other voice gets an 808-style gate row that rhythmically chops the world's signal — the reverb, the grit, the percussion breathing in your pattern while the planet still decides how hard. Grooves ride the godtime tempo (lock the dial, or let your heart drive it), and they save with your patch. And the sources get the grid too, with a different power: sample & hold — while a source's groove is on, the world's number is only sampled on your lit steps and held between them, so a smooth drifting feed becomes stepped, rhythmic, quantized in time. Bitcoin arpeggiating in your pattern. The wind as a sequence. If an out port is chosen in ⚙, godtime also sends MIDI clock (24 ppqn), so a DAW can slave its tempo to the planet — or to your pulse. And the grids play outward too: with an out port chosen, piano-roll notes go out as real MIDI on the lead and bass channels (each note one sixteenth long), and the mind-mode console plays on its own third channel — so your grooves and your chakra-scale jams drive Ableton, Strudel, or hardware exactly as they drive the built-in synth. The three mouths drink at once: ♪ for the browser synth, the out port for MIDI, both or neither — there is no switch, only where you point the sound.
  • Press T — tracks, for making actual songs. A conventional tracks-and-clips view for anyone who finds the cathedral overwhelming: every voice is a track, eight bars run across, and each cell cycles ● live (the world plays that lane) → A → B → C (clip patterns on the groove grids — A and B come pre-seeded so it makes music immediately) → silent. Double-click any clip to edit its groove in the piano roll. Press ▶ and the arrangement loops on the godtime clock — the planet still plays through your song, because live lanes stay wired to the world. Arrangements save with your patch, play out over MIDI like everything else, and export .mid hands you a Standard MIDI File of the note lanes to drag into Ableton, Logic, anything. Not a DAW — a sketchpad where the world sits in on your session. The panel earns its keep like one, too: a 🎛 tracks button sits bottom-right always; drag the panel's top edge to resize (remembered); the top bar tabs between clips and grooves — the grooves tab is a full-size pattern editor (pick a track, pick a letter, big piano roll or 16 steps; double-clicking any clip jumps you straight there); and right-click any track name for that voice's full routing menu — every cable, every level, patch and unpatch without leaving the panel.
  • 📽 The stage — send the visual to any screen. Right-click the sky → the stage and a clean black mirror window opens, fed live from the canvas. Drag it to a projector, an AirPlay display, a second monitor — macOS treats it like any window — and double-click for fullscreen. The stage has a camera: the whole view by default (whatever you're in — a skin, the wheel, mind mode's POV), or right-click any node → project this node and the camera glides after that one sphere through its orbits, or project its station to frame a whole wheel and its satellites. Change cameras live from the menus while the projector runs; the audience sees the camera breathe from subject to subject.
    • @@ -3630,6 +3630,121 @@ ctx.restore(); } + // THE BAGUA — the I Ching's eight trigrams in the King Wen "Later Heaven" + // arrangement, south at the top as the old compasses have it (so east lies + // left). Every routing follows the Shuogua (the "Discussion of the Trigrams", + // Wilhelm's translation): Gen IS the hand, Dui IS the mouth and tongue, Kan + // IS the moon, Li the sun and the eye, Qian jade and gold and the heavens, + // Kun the mother and the multitude — poetic licences marked where taken. + // Petals follow the Fuxi binary order (Leibniz's delight), Qian 8 down to + // Kun 1. And at the centre, the instrument's own party trick: the two + // loudest trigrams stack into a LIVE HEXAGRAM — the strongest speaks from + // below as the ground of the moment, the second from above — named from all + // sixty-four by the King Wen table. With no data at all it rests at + // hexagram 11, Peace: heaven below, earth above. + const BAGUA = [ // Fuxi binary order; lines are bottom→top, 1 = solid yang + { key: "qian", label: "☰ 乾 qián · heaven · the creative", petals: 8, col: [225, 225, 235], lines: [1,1,1] }, + { key: "dui", label: "☱ 兌 duì · lake · the joyous", petals: 7, col: [170, 200, 225], lines: [1,1,0] }, + { key: "li", label: "☲ 離 lí · fire · the clinging", petals: 6, col: [235, 75, 50], lines: [1,0,1] }, + { key: "zhen", label: "☳ 震 zhèn · thunder · the arousing", petals: 5, col: [150, 110, 235], lines: [1,0,0] }, + { key: "xun", label: "☴ 巽 xùn · wind · the gentle", petals: 4, col: [150, 215, 130], lines: [0,1,1] }, + { key: "kan", label: "☵ 坎 kǎn · water · the abysmal", petals: 3, col: [70, 110, 200], lines: [0,1,0] }, + { key: "gen", label: "☶ 艮 gèn · mountain · keeping still", petals: 2, col: [170, 140, 100], lines: [0,0,1] }, + { key: "kun", label: "☷ 坤 kūn · earth · the receptive", petals: 1, col: [230, 200, 110], lines: [0,0,0] }, + ]; + const BAGUA_ANG = { li: 90, kun: 45, dui: 0, qian: 315, kan: 270, gen: 225, zhen: 180, xun: 135 }; + BAGUA.forEach((tr) => { + const a2 = BAGUA_ANG[tr.key] * Math.PI / 180; + tr.pos = [0.5 + 0.45 * Math.cos(a2), 0.5 - 0.45 * Math.sin(a2)]; + }); + const BAGUA_PATHS = [[2,7],[7,1],[1,0],[0,5],[5,6],[6,3],[3,4],[4,2]]; // the octagon rim + const BAGUA_SCALES = { + qian: { root: 74, scale: "lydian" }, dui: { root: 64, scale: "major" }, + li: { root: 60, scale: "mixolydian" }, zhen: { root: 43, scale: "phrygian" }, + xun: { root: 67, scale: "pentatonic" }, kan: { root: 38, scale: "minor" }, + gen: { root: 55, scale: "hirajoshi" }, kun: { root: 36, scale: "minor_pent" }, + }; + function baguaOf(key) { + const k = (key || "").toLowerCase(), p = k.split(".")[0]; + if (["hand", "tof", "touch"].includes(p)) return "gen"; // "Gen is the hand" — Shuogua + if (/deaths|retro|season|zodiac|hour/.test(k)) return "gen"; // where all things end and begin; the standstill + if (p === "quake" || p === "body" || k === "astro.tension") return "zhen"; // the shock; the pulse (licence: the foot that moves you) + if (p === "fire" || p === "sun" || /light\.|ambient|aurora|elev/.test(k)) return "li"; // fire, the sun, lightning, the eye + if (/rain|precip|humid|tide/.test(k) || k === "astro.moon" || p === "debt" || /inflation/.test(k)) return "kan"; // water, the moon; the abyss (licence: the debt) + if (["wiki", "net", "news", "social", "edit", "audio"].includes(p) || k === "astro.harmony" || p === "syn") return "dui"; // the mouth and tongue; joy + if (["weather", "air", "planes", "plane"].includes(p) || /wind|pressure|temp/.test(k)) return "xun"; // what rides the wind + if (p === "iss" || p === "space" || p === "natal" || /^sky\.|_lon/.test(k) || p === "astro") return "qian"; // the heavens + if (["crypto", "market", "econ", "me"].includes(p)) return "qian"; // "Qian is jade, is gold" (licence: the markets) + if (/births|fertile|poverty|hunger|popvel/.test(k) || p === "world" || p === "almanac") return "kun"; // the mother, the multitude, nourishment + return "kun"; // the receptive earth holds the rest + } + // King Wen numbers, row = lower trigram, col = upper, both in BAGUA order + const KING_WEN = [ + [ 1, 43, 14, 34, 9, 5, 26, 11], // lower qian + [10, 58, 38, 54, 61, 60, 41, 19], // lower dui + [13, 49, 30, 55, 37, 63, 22, 36], // lower li + [25, 17, 21, 51, 42, 3, 27, 24], // lower zhen + [44, 28, 50, 32, 57, 48, 18, 46], // lower xun + [ 6, 47, 64, 40, 59, 29, 4, 7], // lower kan + [33, 31, 56, 62, 53, 39, 52, 15], // lower gen + [12, 45, 35, 16, 20, 8, 23, 2], // lower kun + ]; + const HEX_NAMES = ["", // Wilhelm's names, 1..64 + "the creative", "the receptive", "difficulty at the beginning", "youthful folly", + "waiting", "conflict", "the army", "holding together", + "the taming power of the small", "treading", "peace", "standstill", + "fellowship with men", "possession in great measure", "modesty", "enthusiasm", + "following", "work on what has been spoiled", "approach", "contemplation", + "biting through", "grace", "splitting apart", "return", + "innocence", "the taming power of the great", "the corners of the mouth", "preponderance of the great", + "the abysmal water", "the clinging fire", "influence", "duration", + "retreat", "the power of the great", "progress", "darkening of the light", + "the family", "opposition", "obstruction", "deliverance", + "decrease", "increase", "breakthrough", "coming to meet", + "gathering together", "pushing upward", "oppression", "the well", + "revolution", "the cauldron", "the arousing thunder", "keeping still mountain", + "development", "the marrying maiden", "abundance", "the wanderer", + "the gentle wind", "the joyous lake", "dispersion", "limitation", + "inner truth", "preponderance of the small", "after completion", "before completion"]; + let baguaCast = null; // the standing reading; re-cast at most every 2s so it reads, not flickers + function drawBaguaOverlay(t, g) { + const box = mapBox(g); + const cx = (box.x0 + box.x1) / 2, cy = (box.y0 + box.y1) / 2; + const ranked = activeSkin.stations.slice().sort((a, b) => (b.energy || 0) - (a.energy || 0)); + let lower = ranked[0], upper = ranked[1]; + if (!lower || !(lower.energy > 0)) { // silence: heaven below, earth above — Peace + lower = activeSkin.byKey.qian; upper = activeSkin.byKey.kun; + } else if (!upper || !(upper.energy > 0)) { + upper = lower === activeSkin.byKey.kun ? activeSkin.byKey.qian : activeSkin.byKey.kun; + } + if (!baguaCast || t - baguaCast.t > 2) + baguaCast = { lo: BAGUA.indexOf(lower), up: BAGUA.indexOf(upper), t }; + const lo = BAGUA[baguaCast.lo], up = BAGUA[baguaCast.up]; + const kw = KING_WEN[baguaCast.lo][baguaCast.up]; + const lines = lo.lines.concat(up.lines); // six lines, bottom → top + const e = Math.max(lo.energy || 0, up.energy || 0); + const lw = Math.min(76, (box.x1 - box.x0) * 0.17), lh = 4.5, step = 13; + ctx.save(); + for (let i = 0; i < 6; i++) { + const y = cy + (2.5 - i) * step; + const col = i < 3 ? lo.col : up.col; + ctx.fillStyle = rgba(col, 0.55 + e * 0.4); + if (lines[i]) ctx.fillRect(cx - lw / 2, y - lh / 2, lw, lh); + else { // yin: the opening in the line + ctx.fillRect(cx - lw / 2, y - lh / 2, lw * 0.40, lh); + ctx.fillRect(cx + lw * 0.10, y - lh / 2, lw * 0.40, lh); + } + } + ctx.textAlign = "center"; ctx.textBaseline = "alphabetic"; + ctx.font = "600 11px 'Helvetica Neue', Arial, sans-serif"; + ctx.fillStyle = "rgba(225,232,245," + (0.55 + e * 0.35).toFixed(3) + ")"; + ctx.fillText(String.fromCharCode(0x4DC0 + kw - 1) + " hexagram " + kw + " · " + HEX_NAMES[kw], cx, cy + 3.5 * step + 14); + ctx.font = "500 9px 'Helvetica Neue', Arial, sans-serif"; + ctx.fillStyle = "rgba(160,180,210,0.55)"; + ctx.fillText("the world casts — " + up.label.split(" ")[0] + " over " + lo.label.split(" ")[0], cx, cy - 3.5 * step - 8); + ctx.restore(); + } + const SKINS = { chakra: { key: "chakra", label: "chakra", word: "chakra", @@ -3688,6 +3803,11 @@ stations: PALETTE, stationOf: artistOf, scaleOf: (k) => PALETTE_SCALES[k], paths: ARTIST_PATHS, paths2: ARTIST_PATHS2, overlay: drawArtistOverlay, }, + bagua: { + key: "bagua", label: "the bagua (i ching)", word: "trigram", layout: "map", + stations: BAGUA, stationOf: baguaOf, scaleOf: (k) => BAGUA_SCALES[k], + paths: BAGUA_PATHS, overlay: drawBaguaOverlay, + }, }; for (const s in SKINS) { const byKey = {};