diff --git a/GODSTRUMENT_MANUAL_SOURCE.md b/GODSTRUMENT_MANUAL_SOURCE.md index f0b53ae..6b3b477 100644 --- a/GODSTRUMENT_MANUAL_SOURCE.md +++ b/GODSTRUMENT_MANUAL_SOURCE.md @@ -18,6 +18,24 @@ _how to play the world_ Godstrument is an instrument whose player is the living planet. Roughly forty real feeds — the solar wind streaming off the Sun, the price of bitcoin ticking sub-second on Binance, an earthquake off the coast of Japan, every edit to Wikipedia on Earth, the phase of the Moon, the churn of the U.S. national debt, a wildfire catching somewhere in the dark — arrive as raw numbers, are cleaned into control signals, and are fired at one central hub. There the hub smooths them, learns their ranges, and pours them through a **modulation matrix** — a patchbay where every feed can be wired to a sound. The world already moves; here it moves *something*. You don't play the notes. You decide what drives what. Imagine, but also know: the sound you hear is the sky doing exactly what the sky is doing, routed through choices you made. +⚡ Quick-start — make it sing in a minute + +- Press `T` — the **tracks & grooves** panel opens. + +- Pick a **♪ scale** up top — or just switch **skins** (each cosmology is its own key). + +- On a note voice (*lead*/*bass*): hit **⬢ euclid** — pulses **11**, steps **16** — for a busy, even rhythm. + +- Click 2–3 notes in one column so they turn blue: **⬛ Play One** picks one at random each pass. + +- Open the **ratchet** lane and drag a couple of steps to **3–4** for instant rolls. + +- Switch to a texture voice (*filter*, *glitch*), gate a few steps, and **⬗ p-lock** them to blocky values. + +- Press **▶**. In-key, never-repeating, self-glitching — the planet playing your machine. + +Everything below is the full lore. Tap **☰ contents** (top-right) to jump anywhere. + --- ## Getting in @@ -981,3 +999,5 @@ Every feed the world sends is one of eight temperaments; the shape dictates how - **🌊 Juno-106 chorus** — an always-on subtle BBD-style stereo chorus on the synth's master bus (two short delays warbled by slow LFOs, panned wide) that warms and widens the dry oscillators. - **⬗ Parameter locks (p-locks)** — Pocket-Operator / Elektron style: a texture voice (filter, glitch, reverb, drive) gets a per-step `lock` lane that pins its value to a fixed level on that step (blocky, disjointed), overriding the world; drag a step below the lane to unlock it and hand that step back to the data. Applied in `computeDests` via `applyGroove`; travels with the patch. - **🌊 Juno-106 chorus** — an always-on subtle BBD-style stereo chorus on the synth's master bus (two short delays warbled by slow LFOs, panned wide) that warms and widens the dry oscillators. +- **⬗ Parameter locks (p-locks)** — Pocket-Operator / Elektron style: a texture voice (filter, glitch, reverb, drive) gets a per-step `lock` lane that pins its value to a fixed level on that step (blocky, disjointed), overriding the world; drag a step below the lane to unlock it and hand that step back to the data. Applied in `computeDests` via `applyGroove`; travels with the patch. +- **🌊 Juno-106 chorus** — an always-on subtle BBD-style stereo chorus on the synth's master bus (two short delays warbled by slow LFOs, panned wide) that warms and widens the dry oscillators. diff --git a/viz/index.html b/viz/index.html index 1ac3100..83504e8 100644 --- a/viz/index.html +++ b/viz/index.html @@ -412,6 +412,24 @@ #grimoire h2 { color: #9fd0ff; font-size: 17px; letter-spacing: 1px; margin: 34px 0 10px; font-weight: 700; } #grimoire p { line-height: 1.75; color: rgba(205,218,240,0.9); margin: 8px 0; font-size: 14px; } #grimoire .lead { color: rgba(220,230,248,0.95); font-size: 15px; } + /* quick-start card — the fast on-ramp */ + #grimoire .quickstart { max-width: 720px; margin: 6px auto 34px; padding: 18px 22px; border-radius: 14px; + background: linear-gradient(135deg, rgba(90,120,220,0.13), rgba(150,110,230,0.1)); border: 1px solid rgba(140,170,255,0.32); } + #grimoire .quickstart .qshead { font-weight: 800; color: #d3e2ff; font-size: 16px; letter-spacing: 1px; margin-bottom: 10px; } + #grimoire .quickstart ol { margin: 0; padding-left: 22px; color: rgba(210,222,244,0.92); line-height: 1.7; font-size: 13.5px; } + #grimoire .quickstart li { margin: 5px 0; } + #grimoire .quickstart .qsfoot { margin-top: 12px; font-size: 12px; color: rgba(165,185,218,0.72); font-style: italic; } + /* table of contents — the grimoire got big */ + #grimtocbtn { position: fixed; top: 18px; right: 62px; z-index: 61; cursor: pointer; font-size: 13px; color: #9fb4d8; + background: rgba(20,26,44,0.85); border: 1px solid rgba(120,150,220,0.35); border-radius: 9px; padding: 5px 11px; } + #grimtocbtn:hover { color: #fff; border-color: rgba(150,180,255,0.6); } + #grimtoc { position: fixed; top: 52px; right: 24px; z-index: 62; width: 290px; max-height: 74vh; overflow-y: auto; + background: rgba(16,20,36,0.97); border: 1px solid rgba(120,150,220,0.4); border-radius: 12px; padding: 8px; + display: none; box-shadow: 0 12px 40px rgba(0,0,0,0.5); } + #grimtoc.open { display: block; } + #grimtoc .grimtoc-head { font-size: 10px; letter-spacing: 2px; text-transform: uppercase; color: rgba(150,175,220,0.7); padding: 4px 8px 8px; } + #grimtoc .grimtoc-item { padding: 6px 9px; border-radius: 7px; cursor: pointer; color: #c6d5ee; font-size: 13px; } + #grimtoc .grimtoc-item:hover { background: rgba(110,145,235,0.22); color: #fff; } #grimoire ul { list-style: none; padding: 0; margin: 8px 0; } #grimoire li { line-height: 1.7; margin: 7px 0; padding-left: 20px; position: relative; font-size: 14px; color: rgba(205,218,240,0.9); } @@ -485,6 +503,20 @@
Godstrument is an instrument whose player is the living planet. Roughly forty real feeds — the solar wind streaming off the Sun, the price of bitcoin ticking sub-second on Binance, an earthquake off the coast of Japan, every edit to Wikipedia on Earth, the phase of the Moon, the churn of the U.S. national debt, a wildfire catching somewhere in the dark — arrive as raw numbers, are cleaned into control signals, and are fired at one central hub. There the hub smooths them, learns their ranges, and pours them through a modulation matrix — a patchbay where every feed can be wired to a sound. The world already moves; here it moves something. You don't play the notes. You decide what drives what. Imagine, but also know: the sound you hear is the sky doing exactly what the sky is doing, routed through choices you made.
+